Concert In Stereo Live At The Sahara/Tahoe
- Love Me Tonight
- Smoke Gets In Your Eyes
- Brazil
- Honey
- Those Were The Days
- Somewhere My Love
- Mrs Robinson
- Besame Mucho
- On The Street Where You Live
- Memories Are Made Of This (sing-along)
- Oklahoma
- Schubert's Serenade
- Chopin's Nocturne In E Flat
- Tea For Two
- He's Got The Whole World In His Hands
- It's So Nice To Have A Man Around The House
- The Good, The Bad And The Ugly
- Mack The Knife
- Muskrat Ramble
- South Rampart Street Parade
- Mame
- Reprise: Mame
The Recording Sessions for This Album Were Supervised and Produced by Jack Gold
Arranged and Conducted by Ray Conniff
The Sound Was Supervised by Bob Ballard
Engineering: Jack Lattig and Bruce Morgan
Cover photos: Frank Bez / Inside collage: Ray Gray
Original LP liner notes:
In an age where fame can come and go quickly, and so many stars don't even
pause in their raise and fall, it is especially gratifying to note how long
the Conniff star has burned and how much brighter it is today than it has ever
been.
The tremendous durability and versatility
of the Conniff genius become apparent when one has the opportunity to see the
Conniff Orchestra and Singers in concert.
Like the separately brilliant sides of a
many-faceted gem, we are first introduced to the original Conniff technique,
mostly instrumental with voices as sounds; thus we hear Smoke Gets In Your
Eyes, Besame Mucho, and On The Street Where You Live. Then we become
aware of the contemporary songs that we have come to love with the Conniff touch.
With the chorus singing words in this fashion, we hear, Honey, Those Were
The Days, and the great Conniff hit, Somewhere, My Love.
Other sides of the Conniff gem emerge as
the music journeys into the classics. Once more the ooh's and ah's of recognition
greet the sound of each arrangement including An Improvisation On Schubert's
Serenade and An Improvisation On Chopin's Nocturne In E Flat.
It seems almost impossible for one man to
have moved so successfully into so many areas, but the audience watching Ray
Conniff conduct his orchestra and singers soon begins to understand how it all
came to be.
Conniff's control over his musicians and
voices is instant, electric, and apparent. No one could conduct with that much
assurance except the man who had written the arrangements himself. Now the mystery
of how the voices phrase so well is unraveled as we watch him coax, urge, and
command all at the very same time.
An unexpected, bug huge, bonus is the Conniff
personality. Ray introduces the numbers with an unpretentious charm that puts
the audience completely at ease.
Additional dimensions of the Conniff talent
are exhibited when Ray plays the clavietta on Somewhere, My Love and
joins Rica Moore on a tongue-in-cheek vocal version of It's So Nice To Have
A Man Around The House.
One of the biggest surprises is when Ray
picks up the trombone, gathers six of his key musicians, and they embark on
an authentic Dixieland segment that literally stops the show. The tremendous
musicianship of everyone in the group is completely apparent. The crowd loves
it.
Famous musicians included in the Dixieland
group are Johnny Guarnieri, piano, ex-Artie Shaw-Benny Goodman great; Panama
Francis on drums, once the mainstay of the Cab Calloway rhythm section; Skeets
Herfurt, clarinet, well known for his work with the original Dorsey Brothers
Orchestra, and Johnny Best on trumpet, who is remembered so well for his brilliant
playing with the original Glenn Miller Orchestra; and in this fast company,
Ray Conniff demonstrates trombone work that makes one remember his early days
as a musician with Bunny Berigan, Bob Crosby, and Artie Shaw.
A final dimension of the concert, and of
Ray Conniff, is exposed when Ray leads the audience through an entertaining
sing-along version of Memories Are Made Of This. The audience becomes
part of the Ray Conniff chorus and loves every minute of it. Ray exhibits unexpected
poise as an MC, getting many laughs in the process.
The concert ends on a note of excitement
with the performance of Mame which builds to an encore and finally a
standing ovation. Somewhere in the audience a man hollers out that he came 3,000
mile to hear them perform Mame and the crowd that is there makes it sound
like they think that the trip was well worth while. Jack Gold
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